电子书-策展主义：策展如何接管艺术世界和其他一切（英）

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电子书-策展主义：策展如何接管艺术世界和其他一切（英）

# 艺术 # 历史和批评 # 策展人大小：0.95M | 页数：137 | 上架时间：2022-01-18 | 语言：英文

电子书-策展主义：策展如何接管艺术世界和其他一切（英）.pdf

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电子书-策展主义：策展如何接管艺术世界和其他一切（英）.pdf

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类型: 电子书

上传者: 二一

出版日期: 2022-01-18

摘要：

Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. At the same time, curatorial studies programs continue to grow in popularity, and businesses are increasingly adopting curation as a means of adding value to content and courting demographics. Everyone, it seems, is a now a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture's relationship with taste, labour and the avant-garde? In this incisive and original study, critic David Balzer travels through art history and around the globe to explore the cult of curation - where it began, how it came to dominate museums and galleries, and how it was co-opted at the turn of the millennium as the dominant mode of organizing and giving value to content. At the centre of the book is a paradox: curation is institutionalized and expertise-driven like never before, yet the first independent curators were not formally trained, and any act of choosing has become 'curating.' Is the professional curator an oxymoron? Has curation reached a sort of endgame, where its widespread fetishization has led to its own demise? Read more...

Abstract: Now that we "curate" even lunch, what happens to the role of the curator in the art world? Read more...

现在，我们甚至 "策划 "午餐，鉴赏家在当代文化中的角色会发生什么？策划 "现在是一个流行语，适用于从音乐节到手工奶酪的一切。在艺术世界里，策展人是至高无上的，作为高调的群展和双年展的代言人，其方式可以掩盖和同化个别艺术家的贡献。与此同时，策展人研究项目继续流行，企业也越来越多地采用策展作为增加内容价值和争取人口的手段。似乎每个人现在都是一个策展人。但究竟什么是策展人？策划的爆炸性流行又说明了我们的文化与品味、劳动和前卫的关系是什么？在这项精辟的原创研究中，评论家大卫-巴尔泽穿越艺术史和全球各地，探索对策展的崇拜--它从哪里开始，如何主宰博物馆和画廊，以及它如何在千年之交被收编为组织和赋予内容价值的主导模式。本书的中心是一个悖论：策展是前所未有的制度化和专家驱动的，但第一批独立策展人并没有经过正式的培训，任何选择的行为都变成了 "策展"。专业策展人是一个矛盾体吗？策展是否已经达到了某种终局，其广泛的迷信化导致了其自身的消亡？阅读更多...

摘要：现在我们连午餐都要 "策划 "了，策展人在艺术界的角色会发生什么？阅读全文...

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