The Rhythm of Space and the Sound of Time examines the place of Chekhov's Technique in contemporary acting pedagogy and practice. Cynthia Ashperger answers the questions: What are the reasons behind the technique's current resurgence? How has this cohesive and holistic training been brought into today's mainstream acting training? What separates this technique from the other currently popular methods? Ashperger offers an analysis of the complex philosophical influences that shaped Chekhov's ideas about this psycho-physical approach to acting. Chekhov's five guiding principles are introduced to demonstrate how eastern ideas and practices have been integrated into this western technique and how they have continued to develop on both theoretical and practical levels in contemporary pedagogy, thereby rendering it intercultural. The volume also focuses on the work of several contemporary teachers of the technique associated with Michael Chekhov International Association (MICHA). Current teacher training is described as well as the different modes of hybridization of Chekhov's technique with other current methods. Contemporary practical experiments and some fifty exercises at both beginner and intermediate/advanced levels are presented through analysis, examples, student journals and case studies, delineating the sequences in which units are taught and specifying the exercises that differ from those in Chekhov's original writing. This book is for practitioners as well as students of the theatre.

《空间的节奏和时间的声音》研究了契诃夫的技巧在当代表演教育和实践中的地位。Cynthia Ashperger回答了这些问题。该技巧目前重新兴起的原因是什么？这种具有凝聚力和整体性的训练是如何被带入今天的主流表演训练的？这种技术与目前流行的其他方法的区别是什么？阿什佩尔格对塑造契诃夫关于这种心理-物理表演方法的复杂哲学影响进行了分析。介绍了契诃夫的五项指导原则，以证明东方的思想和实践是如何融入这种西方技巧的，以及它们是如何在当代教育学的理论和实践层面上继续发展的，从而使其成为跨文化的。本卷还重点介绍了与迈克尔-契诃夫国际协会（MICHA）有关的几位当代教师的工作。本书描述了当前的教师培训，以及契诃夫技巧与当前其他方法的不同混合模式。通过分析、实例、学生日记和案例研究，介绍了当代的实践实验和大约50个初级和中级/高级水平的练习，划定了单元教学的顺序，并具体说明了与契诃夫原著中的练习不同。本书是为戏剧从业者和学生编写的。

通过www.DeepL.com/Translator（免费版）翻译