"Singing like Callas and Caruso – Belcanto Voice & Body Training" is not an academic code for Opera singers, even if it introduces you into all secrets of your authentic voice. Dr. Karin Wettig started as a pilgrim to the Rome of Singers after her divorce: not her heart, but her voice broke. The irony of fate sent her to a radio station to become a speaker. Whatever she tried with her voice, nothing really worked. Instead of taking the highway, she felt like creeping on her knees to Rome, where she arrived as a secret pupil of the Papal chapel in Renaissance, staring through a Judas hole to observe how the young castratos studied singing. Fascinated with Belcanto since 1600, her personal vocal studies ended constantly in disasters: she fell asleep in classes of an empathetic lady; a Japanese piano professor shouted encouragement and pushed her through old Italian arias until her voice had broken into two: a rough alto and a squeaking soprano and nearly nothing but a throaty flow of air in between. The next teacher, a tenor offered her a male shoulder when she broke into tears trying to sing Mozart arias for 4 months. Finally when she got it “waterlessly”, he left for a better career. Another tenor put her into a zoo of animals voices, forbidding her to sing for two years. Musically starving , she ran away to secret classes with a conductor who helped her study a repertoire. Night for night, she sat in spooky dimlight churches training arias. Then Ann Reynolds Italian method fascinated her in a masterclass. The result was her first inspired book about Italian Singing. Exploring the theory behind her practice then became a pleasure for her musicological brain. But suddenly she stopped to use only awareness she had trained in years of body therapy with Alexandertechniqe, Rolfing, Feldenkrais, Linklater, Cantieni, Hatha Yoga and various spiritual breathing methods. Analizing videos from the best divas of all times - Maria Callas, Joan Sutherland, Luisa Tetrazzini and others – followed. Observing minuscule body and throat movements brought her a breakthrough. After two decades she discovered her authentic Coloratura Soprano and finally became the boss of her rigid tongue. “Behind every weakness hides a talent!” is her motto now. For her own voice training she developed amusing exercises, easy to do for the cure of all typical singers’ faults around passaggio, Avanti, front positioning, messa di voce, vowel balance, the attack of the tone and legato. That was the moment the Book and Method “Singing like Callas and Caruso” were born, when she finally reached not only to find her authentic Belcanto voice, but to change singers’ voices during her classes within ten minutes of training. As a vocal coach and Personality Styling Coach Dr. A.S. Karin Wettig lives and teaches in Munich. For training, videos, book information and classes you can meet her on her website.

像卡拉斯和卡鲁索那样唱歌--贝尔坎托声音和身体训练 "不是歌剧歌手的学术守则，即使它向你介绍了你真实声音的所有秘密。卡琳-韦蒂格博士在离婚后开始作为一个朝圣者来到歌手的罗马：不是她的心，而是她的声音破碎了。命运的讽刺把她送到广播电台，成为一名演讲者。无论她用自己的声音做什么尝试，都没有真正的效果。她没有走公路，而是觉得跪在地上匍匐前进，来到罗马，作为文艺复兴时期教皇小教堂的秘密学生，通过犹大的洞口盯着观察年轻的阉人如何学习唱歌。自1600年以来，她对贝尔坎托很着迷，她个人的声乐学习不断以灾难告终：她在一位富有同情心的女士的课堂上睡着了；一位日本钢琴教授大声鼓励她，并推动她学习古老的意大利咏叹调，直到她的声音断成两截：粗糙的中音和尖锐的女高音，中间除了袅袅的气流外几乎什么都没有。下一位老师是一位男高音，当她为了唱莫扎特咏叹调而泪流满面时，他给了她一个男性的肩膀。最后当她 "水到渠成 "时，他为了更好的事业离开了。另一位男高音把她关进了一个动物声音的动物园，两年来禁止她唱歌。由于音乐上的饥饿，她逃到了一位指挥家的秘密课堂，这位指挥家帮助她学习剧目。一夜又一夜，她坐在诡异的昏暗的教堂里训练咏叹调。然后，安-雷诺兹的意大利方法在一个大师班上让她着迷。其结果是她的第一本关于意大利歌唱的灵感书。探索她练习背后的理论成为她音乐学大脑的乐趣。但是，她突然停止了只使用她在多年的身体治疗中训练出来的意识，包括亚历山大技术、罗芬、费登奎斯、林克莱特、坎蒂尼、哈达瑜伽和各种精神呼吸方法。随后分析了所有时代最好的女歌手--玛丽亚-卡拉斯、琼-萨瑟兰、路易莎-特拉齐尼等人的视频。观察微不足道的身体和喉咙运动给她带来了突破。二十年后，她发现了自己正宗的Coloratura Soprano，并最终成为她僵硬的舌头的主人。"每一个弱点的背后都隐藏着天赋！"这是她现在的座右铭。为了训练自己的嗓音，她开发了一些有趣的练习，以治疗所有典型的歌手的缺点，如passaggio, Avanti, front positioning, messa di voicece, vowel balance, the attack of the tone and legato。这就是 "像卡拉斯和卡鲁索那样唱歌 "这本书和方法诞生的时刻，她终于不仅找到了自己真实的贝尔坎托声音，而且在她的课程中，在十分钟的训练中改变了歌手的声音。作为一名声乐教练和个性造型教练，A.S. Karin Wettig博士在慕尼黑生活和教学。关于培训、视频、书籍信息和课程，你可以在她的网

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