As film students and younger fans experience "Big Hollywood Sound" in Imax presentations and digital theaters, many are also discovering action and adventure movies made well before they were born. There is a legacy to be enjoyed in the sound of these films: Blockbuster movies of the '80's, and '90's are notable for the extraordinarily dramatic impact of their sound mixing, and the way in which it could immerse audiences in a surrounding space. During this period, a small group of sound professionals in Hollywood wrote and published a critical journal about the craftsmanship, new technology, and changing aesthetics that excited conversation in their community. Their work has been edited and compiled here for the first time.

David Stone is a sound editor, a veteran of roughly 100 Hollywood feature films, such as Gremlins, Top Gun, Die Hard, Speed, and Ocean's 11. He was a Supervising Sound Editor for projects as varied as Predator, Edward Scissorhands, Beauty and the Beast, Batman Returns, City Slickers 2, and Dolores Claiborne. He has collected Golden Reel awards for Best Sound Editing five times, and won the 1992 Academy Award(R) for best Sound Effects Editing, for his supervising work on Bram Stoker's Dracula. In 2015, he received a Lifetime Achievement Award from the San Luis Obispo Jewish Film Festival in California. Stone is now a Professor and former Chair of Sound Design at Savannah College of Art and Design. Between 1989 and 1994, he was the editor of Moviesound Newsletter, which was published by Vanessa Ament.

当电影学生和年轻影迷在Imax影院和数字影院体验 "大好莱坞之声 "时，许多人也发现了在他们出生前制作的动作和冒险电影。在这些电影的声音中，有一种遗产可供欣赏。80年代和90年代的大片因其声音混合的特别戏剧性的影响而引人注目，以及它可以使观众沉浸在周围的空间。在此期间，在好莱坞的一小群声音的专业人士写，并发表了关于工艺，新技术和变化的美学的批评杂志，在他们的社区兴奋的谈话。他们的作品在这里第一次被编辑和汇编。

大卫-斯通是一位声音编辑，是大约100部好莱坞故事片的老手，如《绿巨人》、《绝命毒师》、《死神》、《速度》和《海洋11号》。他是《捕食者》、《剪刀手爱德华》、《美女与野兽》、《蝙蝠侠归来》、《城市猎人2》和《多洛雷斯-克莱伯恩》等不同项目的监制音效编辑。他曾五次获得金卷轴最佳音效编辑奖，并因其在布拉姆-斯托克的《德古拉》中的监督工作而获得1992年奥斯卡最佳音效编辑奖（R）。2015年，他获得了加州圣路易斯奥比斯波犹太电影节颁发的终身成就奖。斯通现在是萨凡纳艺术与设计学院的教授和声音设计的前主席。1989年至1994年间，他是《Moviesound通讯》的编辑，该杂志由Vanessa Ament出版。

Vanessa Theme Ament博士是The Foley Grail的作者，也是Sound的撰稿人。对话、音乐和效果》（银屏系列）的作者。她是国际电影节和会议Cinesonika的指导委员会成员。她是来自洛杉矶的资深假肢艺术家、声音编辑和配音演员，她还写和唱爵士乐，是美国音乐家联合会、SAG-AFTRA、演员权益协会和编辑协会的成员。她参与了《虎胆龙威》、《性、谎言和录像带》、《排长》、《捕食者》、《剪刀手爱德华》、《美女与野兽》、《噪音》和《古惑仔》等影片的拍摄。阿门特博士在亚特兰大佐治亚州立大学获得移动图像研究领域的传播学博士学位，目前是印第安纳州曼西市鲍尔州立大学的埃德蒙-F-和弗吉尼亚-B-鲍尔电信捐赠讲座教授。

通过www.DeepL.com/Translator（免费版）翻译