Chicago: Chicago Shorts, 2013 — 32 p. — ISBN: 978-0-226-04890-1.Roger Ebert is a name synonymous with the movies. In Ebert’s Bests, he takes readers through the journey of how he became a film critic, from his days at a student-run cinema club to his rise as a television commentator in At the Movies and Siskel & Ebert. Recounting the influence of the French New Wave, his friendships with Werner Herzog and Martin Scorsese, as well as travels to Sweden and Rome to visit Ingrid Bergman and Federico Fellini, Ebert never loses sight of film as a key component of our cultural identity. In considering the ethics of film criticism—why we should take all film seriously, without prejudgment or condescension—he argues that film critics ought always to engage in open-minded dialogue with a movie. Extending this to his accompanying selection of “10 Bests,” he reminds us that hearts and minds—and even rankings—are bound to change.ContentsBecoming a Film Critic
Hie Best—Some Introductory Words

Ten Best Lists, 1967-2011

芝加哥。罗杰-伊伯特是电影的代名词。在《伊伯特的佳作》中，他带领读者回顾了他如何成为一名影评人的历程，从他在学生经营的电影俱乐部的日子到他在《电影》和《西斯科与伊伯特》中作为电视评论员的崛起。伊伯特讲述了法国新浪潮的影响，他与维尔纳-赫尔佐格和马丁-斯科塞斯的友谊，以及前往瑞典和罗马拜访英格丽-褒曼和费德里科-费里尼的经历，他从未忘记电影是我们文化身份的一个重要组成部分。在考虑电影评论的伦理问题时--为什么我们应该认真对待所有的电影，而不要有偏见或居高临下的态度--他认为，影评人应该始终与电影进行开放性的对话。他把这一点延伸到他的 "十佳 "评选中，提醒我们，心灵和思想，甚至是排名，都会发生变化。

他的最佳作品--一些介绍性的话语

十佳名单，1967-2011